Untitled (Red Owl) - Jean-Michel Basquiat - Edition Number: 4/100

$5,000.00

Untitled (Red) - Jean-Michel Basquiat - 1986

Limited Edition Lithograph on Lenox Museum Board

  • Edition Number: 4/100 (Hand-numbered in Pencil)

  • Dimensions: 50 × 70 cm

  • Category: Limited Edition (After), 1990

  • Printer: Printed by Rupert Jasen Smith (Master Printer for Andy Warhol)

  • Authentication:

    • Plate-signed in front

    • Official Embossed Stamp of Rupert Jasen Smith

    • Official Jean-Michel Basquiat Estate Stamp on verso

    • Hologram Authentication Label on verso

  • Provenance: Acquired from a premier European Art Gallery

  • Condition: Absolute Mint Condition

Untitled (Red) - Jean-Michel Basquiat - 1986

Limited Edition Lithograph on Lenox Museum Board

  • Edition Number: 4/100 (Hand-numbered in Pencil)

  • Dimensions: 50 × 70 cm

  • Category: Limited Edition (After), 1990

  • Printer: Printed by Rupert Jasen Smith (Master Printer for Andy Warhol)

  • Authentication:

    • Plate-signed in front

    • Official Embossed Stamp of Rupert Jasen Smith

    • Official Jean-Michel Basquiat Estate Stamp on verso

    • Hologram Authentication Label on verso

  • Provenance: Acquired from a premier European Art Gallery

  • Condition: Absolute Mint Condition

The Visceral Gaze & Global Presence

The explosive composition of Untitled (1986) embodies the enormous vitality and dynamism of Jean-Michel Basquiat's inimitable street-inflected style. This haunting visage, featuring the iconic crimson head with vacant white eyes, stands as a seminal work from his mature period. The monumental importance of this composition is underscored by its global institutional presence; the original canvas has been a featured lot at Sotheby’s and has graced prestigious fairs such as Art Basel Miami Beach, cementing its status as a "Blue-Chip" icon of Neo-Expressionist history.

Published in 1990 and printed by Rupert Jasen Smith—the legendary master printer who defined the aesthetic of the New York avantgarde—this lithograph serves as a museum-grade bridge to Basquiat’s raw creative power. The central figure reflects the artist's lifelong obsession with anatomy, masks, and the dissection of identity. As an Early Pull (number 4 of 100), this work offers exceptional matrix integrity, capturing every visceral brushstroke with the precision that only a Smith-prepared matrix on Lenox Museum Board can achieve.