Flowers 1 - Keith Haring - Edition Number: 27/150

$3,000.00

Flowers 1 - Keith Haring - 1990

Limited Edition Lithograph on Lenox Museum Board

  • Edition Number: 27/150 (Hand-numbered in Pencil)

  • Dimensions: 50 × 70 cm

  • Category: Estate Edition, 1990

  • Publisher: Published by the Keith Haring Foundation

  • Authentication: * Plate-signed by Keith Haring

    • Official Keith Haring Foundation Estate Stamp

    • Official Blind-stamp (Embossed logo) of the Keith Haring Foundation

    • Hologram Authentication Label on verso

  • Provenance: Acquired from a premier European Gallery

  • Condition: Absolute Mint Condition

Flowers 1 - Keith Haring - 1990

Limited Edition Lithograph on Lenox Museum Board

  • Edition Number: 27/150 (Hand-numbered in Pencil)

  • Dimensions: 50 × 70 cm

  • Category: Estate Edition, 1990

  • Publisher: Published by the Keith Haring Foundation

  • Authentication: * Plate-signed by Keith Haring

    • Official Keith Haring Foundation Estate Stamp

    • Official Blind-stamp (Embossed logo) of the Keith Haring Foundation

    • Hologram Authentication Label on verso

  • Provenance: Acquired from a premier European Gallery

  • Condition: Absolute Mint Condition

The Final Bloom & The Vanitas Tradition

The Urgency of 1990: A Race Against Time Completed just months before Keith Haring’s untimely death, Flowers 1 (referenced in the Littmann Catalogue Raisonné, PP. 165) stands as a visceral testament to an artist working against the inevitable force of time. Unlike the clean, rhythmic lines of his earlier years, this late-period masterpiece carries a weighted sense of urgency. The rapidly delineated figures and "wilting" forms serve as a frank, visual acceptance of his own mortality, transforming a botanical study into a defiant act of creation.

Abstract Expressionism & The Basquiat Influence In a significant stylistic departure, Haring allowed screen-printing inks to drip and streak across the board, creating vibrant splatters that contrast with his bold outlines. This "unconstrained mark-making" is a direct nod to Abstract Expressionism and the raw energy of his close friend Jean-Michel Basquiat, who had passed away only two years prior. This fusion of spontaneity and control reflects Haring’s internal struggle, turning these blooms into emotional documents of resilience.

Essential Insights: Keith Haring’s 'Flowers' (1990)

  • A Final Testament: Printed in the months leading to his death from AIDS, this series carries a weighted sense of urgency and creative momentum.

  • The Vanitas Tradition: Haring appropriates the 16th-century Vanitas genre—using flowers to symbolize both the richness of life and its fleeting fragility.

  • The Basquiat Connection: The "messy" and spontaneous ink application is a deliberate tribute to the late Jean-Michel Basquiat’s neo-expressionist influence.

  • Symbolism of Resilience: The phallic forms and signature "dots" transform these botanical studies into powerful icons of HIV/AIDS activism and social defiance.

  • Visceral Technique: By allowing ink to drip down the composition, Haring added a physical sense of movement, mirroring his own struggle with the passage of time.

Technical & Authentication Details

  • Lenox Museum Board: This acid-free, heavy-weight archival board is the gold standard for preservation, ensuring the vibrancy of the "Flowers" series remains immutable for centuries.

  • Triple-Layer Verification: Authenticity is secured via the official Keith Haring Foundation estate stamp, the embossed blind-stamp, and a security hologram on the verso.

  • Edition 27/150: A prestigious low-number edition, hand-numbered in pencil, positioning this piece as a premier acquisition for serious private collections.

  • Provenance: Acquired from a reputable European Gallery in Absolute Mint Condition, representing a pristine example of late-20th-century avant-garde history.